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Aynsley Lister Interview Aynsley Lister.....One Of England's hidden treasures |
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Interview Blues Matters Magazine Their mixture of rock and Blues also has a strong indie rock flavour |
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Jewel I’ve always liked to work hard at it and practising it. I never thought I was that gifted. My dad and I were bar singers and it was a blue collared job, people would clap when I sang but they also clapped when anyone sang. |
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RAUL MALO - LUCKY ONE Raul Malo is regarded in Nashville as one of Music City’s finest vocalists. |
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Sandi Thom Reinvents Herself! |
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Sarah Blasko Sarah Blasko’s ethereal vocals drift like a séance through a damp candlelit room. Her style is whimsical and somewhat eerie, that folk- esque sound that escapes is the production of a somewhat delicately composed album. |
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Sarah Borges and the Broken Singles New England and Boston in particular, might not be somewhere you’d think of as being home to a punkinfluenced, roots-rocking country-styled band. But that’s where Sarah Borges and the Broken Records are based and now, after making quite an impact across America, they are about to make their mark in the UK. |
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Shelby Lynne Maverick Interview |
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Willie Nile Maverick article |
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This is one of the greatest rock 'n' roll films ever made, performed by, arguably, the greatest rock 'n' roll band ever during, unarguably, their creative peak. Some things not mentioned that really impressed me: Keith, the rock 'n' roller for life, is so into the music that he spends much of his time facing the drums, playing directly to Charlie. Jagger's musical professionalism really stands out. There are many instances where he makes a point of not hogging the limelight when it's the other musicians time to shine. Sometimes it's just by turning his back to the audience during someone's solo. Other times, when the spotlights just don't want to move away from Jagger, he'd move over behind the soloing musician to force the light onto them. When Keith starts singing "Happy", Jagger not only turns his back to the audience, but points a wagging finger at Keith to get the obstinate spot operator to illuminate the right musician. And there was that moment during Bobby Keys' sax solo in "Rip This Joint" where Jagger starts to move away from Keys, but then comes back to adjust Bobby's microphone.......
Taylor's solo during "Love In Vain" proves by itself what a great guitarist he is.....
.......you need to see this movie......