Billy Walton Band NEON CITY Self Released 4.5 star. With guitar playing so good that it should be outlawed, this is one heck of a fantastic album
Plying his trade in New Jersey with his name becoming quite famous in that area, Billy Walton is truly one of the greats of contemporary rock and roll. To hell with your Kaiser Chiefs and whatever other band deems themselves to be legends of the genre, Billy Walton is one name to be reckoned with and must surely be celebrated here with this album release which was recorded along with his other two main members of the band.
Being mostly an instrumental track, Treat Her Right might delve into the realms of a song which is destined only for jamming sessions and not success. But no, this is not the case here as the efforts really are quite superb by all. The self-penned Soul Song has the quietest beat of the ten tracks, but what a sound it is. It has an end of the night feel about it which then builds up to a Hendrix styled finish mixed with a Yardbirds groove which is never a bad style. The concluding track of the album happens to be a cover, but what a fine cover it is. The aforementioned track being Papa was a Rollin Stone and what a remarkable achievement it is, it keeps true to the original but the band adds their own ingredients in what is a very tasty musical cake to digest.
Bill Kirchen WORD TO THE WISE Proper PRPCD053 Guitar great joined by a truckload of star chums
Lanky, bespectacled and wellspoken, Bill Kirchen has always been the antithesis of the truck-driving, diesel-belching character he portrays on his records. Here he points his Telecaster down a different road and comes up with a Mustang of an album. The twangy, bassy lead that’s faster than a speeding state patrol car is still here, but there’s clever variety, not to mention a starstudded cast. Kirchen has sought out a bunch of chums he’s worked with down the years and got them on the running board for a helter-skelter drive through myriad musical styles. The concept is not unlike Martin Belmont’s GUEST LIST album last year, with the guitarist playing alongside top vocalists.
So we’ve got Nick Lowe and Paul Carrack on Everlys-style harmony on Merle Haggard’s gentle Shelly’s Winter Love (with appropriate country licks), followed by Elvis Costello on Kirchen’s own Man In The Bottom Of The Well (with growling guitar wouldn’t find itself on a truckstop jukebox), followed by the jolly rocker I Don’t Work That Cheap, with Commander (George Frayne) Cody on honky-tonk piano, the pair’s first recorded work since the 80s.
Asleep At The Wheel’s Chris O’Connell sings a gorgeously country Husbands And Wives (the Roger Miller Tune) while Dan Hicks joins in on a duet with Kirchen on the swinging title track. There are also appearances by Maria Muldaur and former Lost Planet Airmen Blackie Farrell and the late Norton Buffalo, along with bass, vocals and production (on both sides of the Atlantic) by Brit country-rock veteran Paul Riley.
That’s not to say the album relies on guests; there’s also a decent serving of Kirchen-only tracks, such as the opening rocker Bump Wood and the mandolin-led Arkansas Diamond. Great stuff and, despite the famous names, still a guitar album through and through. ND www.maverick-country.comwww.properuk.com
.......... Ronnie has bestowed upon us a solid and spirited effort with the release of this new CD. Surrounded by an A-list supporting cast that complements and, at the same time, pushes him to give it his all, Ronnie is back to remind us that the chops are still there. Featuring gritty, buzzing guitar riffs that showcase what he does best, as well as the signature smoke-tinged voice, the CD's real surprise is in the lyrical content, which offers a personal glimpse of just how Ronnie's psyche has fared through the turmoil of the past couple of years........ www.amazon.com
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