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CASSANDRA WILSON - LOVERLY
Album of classics, great, but not extraordinary.
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Wynton Marsalis BiographyWynton Learson Marsalis (b. October 18, 1961) is an American trumpeter and composer. He is among the most prominent jazz musicians of the modern era and is also a well-known instrumentalist in classical music. He is also the Musical Director of Jazz at Lincoln Center. A compilation of his series of inspirational letters to a young jazz musical student, named Anthony, has been published as To a Young Jazz Musician. Marsalis has made his reputation with a combination of skill in jazz performance and composition, a sophisticated yet earthy and hip personal style, an impressive knowledge of jazz and jazz history, and skill as a virtuoso classical trumpeter. As of 2006, he has made sixteen classical and more than thirty jazz recordings, has been awarded nine Grammys between the genres, and has been awarded the Pulitzer Prize for Music, the first time it has been awarded for a jazz recording. Marsalis (pronounced: mär-SAHL-ĭs) was born, to we Ferdinand and Ellis Marsalis, Jr. He was the second of six sons: Branford, Wynton, Ellis, III (1964), Delfeayo, Mboya Kinyatta (1971), and Jason. Branford, Delfeayo, and Jason are also jazz musicians. Ellis is a poet, photographer, & network engineer based in Baltimore. Mboya has autism. His dad Ellis, a music teacher and pianist, is a longtime fixture on the New Orleans jazz scene, and several of Wynton's brothers, particularly saxophonist Branford Marsalis, trombonist Delfeayo Marsalis, and drummer Jason Marsalis, are also notable musicians. At an early age, Marsalis exhibited a keen interest and aptitude in music, coupled with a strong desire to contribute to American culture. At age six, Marsalis was given his first trumpet by a friend of his father, the legendary Al Hirt. At age eight he performed traditional New Orleans music in the Fairview Baptist Church band led by legendary banjoist, Danny Barker. At fourteen he was invited to perform with the New Orleans Philharmonic. During his high school years attending Benjamin Franklin High School, Marsalis was a member of the New Orleans Symphony Brass Quintet, New Orleans Community Concert Band, under the direction of Peter Dombourian, New Orleans Youth Orchestra, New Orleans Symphony and on weekends he performed in a jazz band as well as in the popular local funk band, the Creators. He moved to New York City to attend the Juilliard School of Music in 1978 and quickly garnered a lot of attention. Two years later in 1980, he joined the Jazz Messengers to study under master drummer and bandleader, Art Blakey. It was from Blakey that Marsalis acquired his concept for bandleading and for bringing intensity to each and every performance. In 1981, Marsalis toured with the Herbie Hancock quartet throughout the USA and Japan, as well as performing at the Newport Jazz Festival with Herbie. In the years to follow, Marsalis was invited to perform with Sarah Vaughan, Dizzy Gillespie, Harry Edison, Clark Terry, Sonny Rollins, and many other jazz legends. Marsalis eventually assembled his own band and hit the road, performing over 120 concerts every year for ten consecutive years. His objective was to learn how to play, and to comprehend how best to give to his audience. Through an exhaustive series of performances, lectures, and music workshops, Marsalis rekindled widespread interest in an art form that had been largely abandoned and redefined out of what he saw as its artistic substance. Marsalis invested his creative energy as an advocate for a relatively small era in the history of jazz. He garnered recognition for the older generation of jazz musicians and prompted the re-issuance of jazz catalog by record companies worldwide. A quick glance at the better known jazz musicians today reveals many students of Marsalis's workshops and members of his formations: James Carter, Christian McBride, Roy Hargrove, Harry Connick, Jr., Nicholas Payton, Eric Reed and Eric Lewis. Not content to focus solely on his musicianship, Marsalis devoted equal time to developing his compositional skills. The dance community quickly embraced his works, and he received commissions to create major compositions for Garth Fagan Dance, Peter Martins at the New York City Ballet, Twyla Tharp for the American Ballet Theatre, and for the Alvin Ailey American Dance Theatre. Marsalis collaborated with The Chamber Music Society of Lincoln Center in 1995 to compose the string quartet, At The Octoroon Balls, and again in 1998 to create a response to the Stravinsky: A Soldier's Tale with his composition, A Fiddler's Tale. In 1997 he became the first jazz musician to win the Pulitzer Prize in music, for his epic oratorio, Blood on the Fields, on the subject of slavery. In 2006, Marsalis' US$833,686 annual salary as Artistic Director of Jazz at Lincoln Center drew negative attention in an article published by Reader's Digest magazine regarding overspending by non-profit organizations.Marsalis has never been married but has two sons with Candace Stanley and another son with actress Victoria Rowell. As a composer and performer, Marsalis is also represented on a quartet of Sony Classical releases, At the Octoroon Balls: String Quartet No. 1, A Fiddler's Tale, Reel Time and Sweet Release and Ghost Story: Two More Ballets by Wynton Marsalis. All are volumes of an eight-CD series, titled Swinging Into The 21st, that is an unprecedented set of albums released in the past year featuring a remarkable scope of original compositions and standards, from jazz to classical to ballet, by composers from Jelly Roll Morton to Igor Stravinsky to Thelonious Monk, in addition to Marsalis. At the Octoroon Balls features the world-premiere recording of Marsalis's first string quartet, performed by the Orion Quartet. The work was commissioned by Lincoln Center, and its premiere by the Orion Quartet in 1995 was presented in conjunction with the Chamber Music Society of Lincoln Center. It has subsequently been recorded by the Harlem Quartet. A Fiddler's Tale, also commissioned by the Chamber Music Society of Lincoln Center for Marsalis/Stravinsky, a joint project of the Chamber Music Society of Lincoln Center and Jazz At Lincoln Center, is work with narration about a musician who sells her soul to a record producer. It was premiered on April 23, 1998, at Hill Auditorium in Ann Arbor, Michigan. A version without narration was included on the album At the Octoroon Balls: String Quartet No. 1. Reeltime is Marsalis's score for the acclaimed John Singleton film Rosewood. This original music, featuring vocal performances by best-selling artists Cassandra Wilson and Shirley Caesar, was never used in the film. Marsalis also provided the score for the 1990 film Tune in Tomorrow, in which he also makes a cameo appearance as a New Orleans trumpeter with his band. Sweet Release and Ghost Story offers another world premiere recording of two original ballet scores by Marsalis, written for and premiered by the Alvin Ailey American Dance Theater and the Zhong Mei Dance Company, both in New York City. As an exclusive classical artist for Sony Classical, Marsalis has won critical acclaim for the recording In Gabriel's Garden (SK/ST 66244), featuring Baroque music for trumpet and orchestra. It includes performances of the Bach: Brandenburg Concerto no. 2 and Mouret: Rondeau, a video of which has been adopted as the new theme for PBS Masterpiece Theatre. The San Francisco Examiner wrote, "Marsalis continues to define great music making…[the pieces] are all articulated with dazzling clarity and enthusiasm." The album features the English Chamber Orchestra, conducted by Anthony Newman, and was produced by Steven Epstein. ControversyMarsalis's strongly held views regarding the roots of jazz and its development have generated some negative appraisals from jazz critics and fellow musicians. Down Beat magazine's online website says of Marsalis:
Critic Scott Yanow praises Marsalis's talent, but has questioned his "selective knowledge of jazz history considering post-1965 avant-garde playing to be outside of jazz and 1970s fusion to be barren." Trumpeter Lester Bowie opined of Marsalis's traditionalism, "If you retread what's gone before, even if it sounds like jazz, it could be anathema to the spirit of jazz." In his 1997 book Blue: The Murder of Jazz Eric Nisenson argues that Marsalis's focus on a narrow portion of jazz's past is stifling the music's growth and preventing any further innovation. Pierre Sprey, president of jazz record company Mapleshade Records, declares that "When Marsalis was nineteen, he was a fine jazz trumpeter ... But he was getting his tail beat off every night in Art Blakey's band. I don't think he could keep up. And finally he retreated to safe waters. He's a good classical trumpeter and thus he sees jazz as being a classical Music. He has no clue what's going on now." Miles Davis stated that Marsalis was "a nice young man, only confused." Davis was also bothered by what he saw as Columbia Records' promotion of Marsalis's music rather than his own, and this was a factor in Davis's departure from Columbia after several decades. Pianist Keith Jarrett is also an outspoken critic of Marsalis. "Wynton imitates other people's styles too well," he says. "You can't learn to imitate everyone else without a real deficit. I've never heard anything Wynton played sound like it meant anything at all. Wynton has no voice and no presence. His music sounds like a talented high-school trumpet player to me. He plays things really, really, really badly that you cannot screw up unless you are a bad player. I've felt embarrassed listening to him, and I'm white. Behind his humble speech, there is an incredible arrogance. And for a great black player who talks about the blues - I've never heard Wynton play the blues convincingly, and I'd challenge him to a blues standoff any time. He's jazzy the same way someone who drives a BMW is sporty." Marsalis has also been criticized for his role in the Ken Burns documentary Jazz, which promoted a classicist view of jazz similar to the views of Marsalis himself. The documentary focused primarily on Duke Ellington and Louis Armstrong among others, while failing to mention jazz artists from the period Marsalis views as barren. The documentary also angered many with subjective statements, often from Marsalis, about the comparative complexity, popularity, and general worth of the music of a wide variety of artists. As artistic director and co-producer of the project, Marsalis bore the brunt of the criticism of the nonetheless highly acclaimed series, which to many embodied the exclusive, classicist view of jazz for which Marsalis is known. Critic David Adler has suggested this production role was a clear conflict of interest with his high onscreen profile: "Wynton's coronation in the film is not merely biased. It is not just aesthetically grating. It is unethical, given his integral role in the making of the very film that is praising him to the heavens." Political activismNew OrleansMarsalis emerged as one of the most notable New Orleans civic leaders in the aftermath of Hurricane Katrina. In a number of public speeches and television ads, he tried to increase public awareness of the importance of rebuilding New Orleans. Marsalis also urged people to visit Louisiana as soon as possible. Marsalis organized a large benefit at Jazz at Lincoln Center for musicians and other New Orleaneans affected by Hurricane Katrina. The benefit, called Higher Ground, featured many famous musicians, both traditional and contemporary, such as Cassandra Wilson, Diana Krall, Dianne Reeves, Norah Jones, Victor Goines, Herbie Hancock, and McCoy Tyner and in 2007 R&B star, Fantasia. Marsalis was one of the participants in Movie Director Spike Lee's documentary When The Levees Broke: A Requiem In Four Acts. In the New Orleans mayoral campaign of 2006, Marsalis endorsed Lieutenant Governor Mitch Landrieu over mayor Ray Nagin. Both candidates were Democratic party members. Nagin was reelected on the second ballot runoff. International politicsMarsalis has helped raise awareness of Aung San Suu Kyi and human rights violations in Burma through concerts working with the Freedom Campaign and the US Campaign for Burma. Past music events have also included R.E.M., Damien Rice, and the the Black Eyed Peas. Awards and recognitionMarsalis and his brother Branford are former Life Scouts in the Boy Scouts of America. Marsalis has been awarded the 2005 National Medal of Arts of the United States, the Grand Prix du Disque of the Charles Cros Academy and the Edison Award of the Netherlands, and was elected an honorary member of the Royal Academy of Music in Britain. He has received several honorary doctoral degrees, and a variety of other recognitions from Brandeis University, Brown University, Columbia University, Denison University, Haverford College, Johns Hopkins University, the Manhattan School of Music, New York University, Princeton University, the University of Miami, Southern Methodist University(SMU) and Yale University. Marsalis has toured 30 countries on every continent except Antarctica, and nearly five million copies of his recordings have been sold worldwide. As of 2006, United Artists is considering releasing a feature film biopic on Marsalis, with Will Smith widely purported to be in consideration for the role. Accolades
[edit] Music AwardsPulitzer Prize for Music
Grammy Award for Best Jazz Instrumental Album, Individual or Group
Grammy Award for Best Instrumental Soloist(s) Performance (with orchestra)
Grammy Award for Best Jazz Instrumental Solo
Grammy Award for Best Spoken Word Album for Children
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Wynton Marsalis Discography
1. Black Codes (Album Version) 9:33 2. For Wee Folks (Album Version) 9:10 3. Delfeayo's Dilemma (Album Version) 6:52 4. Phryzzinian Man (Album Version) 6:49 5. Aural Oasis (Album Version) 5:39 6. Chambers Of Tain (Album Version) 7:43 7. Blues (Album Version) 5:26
1. When It's Sleepytime Down South (Album Version) 5:11 2. You Don't Know What Love Is (Album Version) 6:22 3. Indelible and Nocturnal (Album Version) 4:12 4. I'll Remember April (Album Version) 8:35 5. Embraceable You (Album Version) 7:13 6. Crepuscule With Nellie (Album Version) 3:04 7. What Is This Thing Called Love? (Album Version) 6:31 8. The End Of A Love Affair (Album Version) 3:11 9. East Of The Sun (West Of The Moon) (Album Version) 5:15 10. Lover (Album Version) 5:05 11. Yesterdays (Album Version) 9:38 12. Bourbon Street Parade (Album Version) 5:47
1. Variations Sur "Le Carnaval de Venise" (Instrumental)Donald Hunsberger;Wynton Marsalis;Eastman Wind Ensemble 7:34 2. The Debutante (Caprice brillant) (Instrumental)Donald Hunsberger;Wynton Marsalis;Eastman Wind Ensemble 5:51 3. Believe Me, If All Those Endearing Young Charms (Instrumental)Donald Hunsberger;Wynton Marsalis;Eastman Wind Ensemble 3:27 4. Grand Russian Fantasia (Instrumental)Wynton Marsalis;Eastman Wind Ensemble 6:21 5. Moto Perpetuo, Op. 11 (Instrumental)Donald Hunsberger;Wynton Marsalis;Eastman Wind Ensemble 4:33 6. 'Tis The Last Rose Of SummerWynton Marsalis;Donald Hunsberger;Eastman Wind Ensemble 1:48 7. The Flight of the Bumblebee from Tsar Saltan (Instrumental)Wynton Marsalis;Donald Hunsberger;Eastman Wind Ensemble 1:05 8. Napoli-Variations On A Neapolitan Song (Instrumental)Wynton Marsalis;Eastman Wind Ensemble 5:44 9. Fantaisie Brillante (Instrumental)Donald Hunsberger;Wynton Marsalis;Eastman Wind Ensemble 8:17 10. Sometimes I Feel Like A Motherless Child (Instrumental)Wynton Marsalis;Eastman Wind Ensemble 3:21 11. Valse Brillante ("Sounds from the Hudson") (Instrumental)Donald Hunsberger;Wynton Marsalis;Eastman Wind Ensemble 8:08
1. Concerto in D Major for Trumpet, Two Oboes and Strings/I. Allegro (Instrumental)Wynton Marsalis 2:08 2. Concerto in D Major for Trumpet, Two Oboes and Strings/II. Largo (Instrumental)Wynton Marsalis0:58 3. Concerto in D Major for Trumpet, Two Oboes and Strings/III. Allegro (Moderato) (Instrumental)Wynton Marsalis 2:32 4. Let the Bright Seraphim from Samson (Voice)Raymond Leppard;English Chamber Orchestra;Wynton Marsalis 5:46 5. Sonata à 5 for Trumpet and Strings, T.V.3 (Instrumental)Wynton Marsalis 4:59 6. Sound the Trumpet from Come Ye Sons Of Art (Voice)Wynton Marsalis 2:36 7. Chaconne from Come Ye Sons of Art (Instrumental)Wynton Marsalis 1:11 8. Entrada From The Indian Queen (excerpt) (Instrumental)Wynton Marsalis0:43 9. Trumpet Air from The Indian Queen (Instrumental)Wynton Marsalis 1:01 10. Trumpet Tune from King Arthur (Instrumental)Wynton Marsalis0:48 11. Trumpet Overture from The Indian Queen (Instrumental)Wynton Marsalis 3:31 12. Sonata à 5 for Trumpet and Strings, T.V.7 (Instrumental)Wynton Marsalis 5:52 13. Eternal Source of Light Divine from Ode for the Birthday of Queen AnneRaymond Leppard;English Chamber Orchestra;Wynton Marsalis 2:25 14. Concerto No. 2 for Solo Trumpet and Strings, MWV IV,13/I. [Allegro] (Instrumental)Wynton Marsalis 4:10 15. Concerto No. 2 for Solo Trumpet and Strings, MWV IV,13/II. [Adagio] (Instrumental)Wynton Marsalis 5:54 16. Concerto No. 2 for Solo Trumpet and Strings, MWV IV,13/III. [Allegro] (Instrumental)Wynton Marsalis 2:15
1. The Party's Over (Album Version) 6:03 2. You're Blasé (Album Version) 6:40 3. After You've Gone (Album Version) 5:48 4. Glad To Be Unhappy (Album Version) 7:47 5. It Never Entered My Mind (Album Version) 6:07 6. Baby, Won't You Please Come Home (Album Version) 5:30 7. I Guess I'll Hang My Tears Out To Dry (Album Version) 5:59 8. I Got Lost In Her Arms (Album Version) 5:07 9. Ballad of The Sad Young Men (Album Version) 5:51 10. Spring Will Be A Little Late This Year (Album Version) 4:30 11. My Man's Gone Now (Album Version) 4:37 12. The Midnight Blues (Album Version)11:58
1. The King's March (Instrumental)Wynton Marsalis;Anthony Newman;English Chamber Orchestra 1:16 2. Concerto for Two Trumpets in C Major, RV. 537; I. AllegroWynton Marsalis 3:09 3. Entrada From The Indian Queen (excerpt) (Instrumental)Wynton Marsalis0:41 4. The Prince of Denmark's March (Album Version)Wynton Marsalis;Anthony Newman;English Chamber Orchestra 2:53 5. Trumpet VoluntaryWynton Marsalis;Anthony Newman;English Chamber Orchestra 3:35 6. Let the Bright Seraphim from "Samson"John Nelson 5:31 7. Rondeau from "Suites de Symphonies, Première suite, Fanfares"Wynton Marsalis;Anthony Newman;English Chamber Orchestra 2:04 8. Brandenburg Concerto No.2, Movement No.3 (excerpt); III. Allegro assaiWynton Marsalis 3:00 9. Prelude from Te Deum, H.146Wynton Marsalis;Anthony Newman;English Chamber Orchestra 1:48 10. Concerto for Trumpet and Orchestra in D Major; II. Allegro moderatoWynton Marsalis 3:27 11. Concerto for Trumpet and Orchestra in D Major; I. AdagioWynton Marsalis 6:00 12. Concerto for Trumpet and Orchestra in E-flat Major, Hob VIIe:1; III. Finale. AllegroWynton Marsalis 4:34 13. Concerto for Trumpet and Orchestra in E Major; III. Rondo. Allegro moltoWynton Marsalis 3:38 14. 'Tis the Last Rose of SummerWynton Marsalis 1:47 15. Variations sur "Le Carnaval de Venise"Wynton Marsalis 7:34 16. Rondo for Lifey (for trumpet and piano)Wynton Marsalis 1:25 17. Prayer of St. Gregory for Trumpet & Organ, Op.62b (Reduction by the composer)*Wynton Marsalis 4:07 18. Concerto for Trumpet and Orchestra; I. AllegroWynton Marsalis 7:30 19. Moto Perpetuo, Op. 11Wynton Marsalis 4:33 20. Flight of the Bumblebee from "Tsar Sultan"Wynton Marsalis 1:05
Disc 1
1. Welcome (Live)Wynton Marsalis0:42 2. Cherokee (Live)Wynton Marsalis Septet 6:53 3. The Egyptian Blues (Live)Wynton Marsalis Septet 8:10 4. Embraceable You (Live)Wynton Marsalis Septet 5:27 5. Black Codes From the Underground (Live)Wynton Marsalis Septet16:32 6. Harriet Tubman (Live)Wynton Marsalis Septet13:42 7. Monk's Mood (Live)Wynton Marsalis Septet 3:01 8. And The Band Played On (Live)Wynton Marsalis Septet 5:34 9. The Cat In The Hat Is Back (Live)Wynton Marsalis Septet 9:28 10. (Set Break) (Live)Wynton Marsalis Septet 6:44 Disc 2
1. Welcome (Live)Wynton Marsalis 1:23 2. Uptown Ruler (Live)Wynton Marsalis Septet14:12 3. Down Home With Homey (Live)Wynton Marsalis Septet18:04 4. Reflections (Live)Wynton Marsalis Septet 6:07 5. Jig's Jig (Live)Wynton Marsalis Septet12:12 6. Sometimes It Goes Like That (Live)Wynton Marsalis Septet 6:49 7. In A Sentimental Mood (Live)Wynton Marsalis Septet 3:47 8. Knozz-moe-king (Live)Wynton Marsalis Septet 8:22 9. (Set Break) (Live)Wynton Marsalis Septet 5:31 Disc 3
1. Welcome # 3 (Live)Wynton Marsalis0:37 2. Buggy Ride (Live)Wynton Marsalis Septet 8:55 3. I'll Remember April (Live)Wynton Marsalis Septet 8:04 4. Stardust (Live)Wynton Marsalis Septet 5:19 5. In The Court of King Oliver (Live)Wynton Marsalis Septet 7:50 6. Bona & Paul (Live)Wynton Marsalis Septet 2:08 7. Four In One (Live)Wynton Marsalis Septet11:55 8. Way Back Blues (Live)Wynton Marsalis Septet 6:44 9. Rubber Bottom (Live)Wynton Marsalis Septet 6:10 10. Midnight In Paris (Live)Wynton Marsalis Septet 3:43 11. Play The Blues And Go (Live)Wynton Marsalis Septet 8:56 12. (Set Break) (Live)Wynton Marsalis Septet 5:04
Disc 4
1. Welcome (Live)Wynton Marsalis 2:00 2. Pedro's Getaway (Live)Wynton Marsalis Septet16:29 3. Evidence (Live)Wynton Marsalis Septet 4:28 4. Embraceable you (Live)Wynton Marsalis Septet12:07 5. A Long Way (Live)Wynton Marsalis Septet12:42 6. The Arrival (Live)Wynton Marsalis Septet12:57 7. Misterioso (Live)Wynton Marsalis Septet 6:01 8. Happy Birthday (Live)Wynton Marsalis Septet 1:02 9. The Seductress (Live)Wynton Marsalis Septet 4:36 10. (Set Break) (Live)Wynton Marsalis Septet 3:54
Disc 5
1. Welcome (Live)Wynton Marsalis0:33 2. The Majesty of The Blues (Live)Wynton Marsalis Septet15:45 3. Flee as a Bird To The Mountain (Live)Wynton Marsalis Septet 3:12 4. Happy Feet Blues (Live)Wynton Marsalis Septet 6:26 5. Thelonious (Live)Wynton Marsalis Septet 4:46 6. Stardust (Live)Wynton Marsalis Septet 6:45 7. Intro to Buddy Bolden (Live)Wynton Marsalis 2:10 8. Buddy Bolden (Live)Wynton Marsalis Septet 5:46 9. Swing Down Swing Town (Live)Wynton Marsalis Septet 9:36 10. Bright Mississippi (Live)Wynton Marsalis Septet 8:38 11. (Set Break) (Live)Wynton Marsalis Septet 3:04
Disc 6
1. Welcome (Live)Wynton Marsalis0:59 2. Citi Movement (Live)Wynton Marsalis Septet40:24 3. Winter Wonderland (Live)Wynton Marsalis Septet 9:03 4. Brother Veal (Live)Wynton Marsalis Septet 4:30 5. Cherokee (Live)Wynton Marsalis Septet11:52 6. Juba and A O'Brown Squaw (Live)Wynton Marsalis Septet 4:48
Disc 7
1. Welcome (Live)Wynton Marsalis0:36 2. In The Sweet Embrace of Life (Live)Wynton Marsalis Septet54:43 3. Local Announcements (Live)Wynton Marsalis Septet 4:45 4. Altar Call (Live)Wynton Marsalis Septet10:42 5. Final Statement (Live)Wynton Marsalis Septet 6:00
1. From The Plantation To The Penitentiary11:48 2. Find Me 9:32 3. Doin' (Y)Our Thing 8:36 4. Love And Broken Hearts 7:39 5. Supercapitalism 6:54 6. These Are Those Soulful Days 8:03 7. Where Y'All At 5:48
1. When It's Sleepytime Down South (Album Version) 5:11 2. Stardust (Album Version) 4:11 3. Embraceable You (Album Version) 7:16 4. Reflections (Album Version) 6:19 5. After You've Gone (Album Version) 5:44 6. The Seductress (Album) 2:55 7. My Ideal (Album Version) 6:20 8. Spring Yaounde (Album Version) 6:03 9. Melancholia (Album Version) 5:10 10. Where Or When (Album Version) 2:52 11. I Guess I'll Hang My Tears Out To Dry (Album Version) 5:58 12. April In Paris (album version) 5:06 13. I Can't Get Started (Album Version) 5:23 14. Flamingo (Album) 3:22
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ILMILIEKKI QUARTET - TAKE IT WITH ME
Finnish Jazz band whose album was in Observers Top 50 for 2007
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