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The

Released in August 2010, personal album from veteran blues harmonica player and singer

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             Tribal (Bonus Track Version) - Dr. John & The Lower 911 The Good Doctor back with at his very best

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 Country of Origin: United States

Members
Paul Curreri (solo)

Website

http://www.paulcurreri.com/

Record Label:
http://www.citysalvagerecords.com/


Paul Curreri Biography


Paul Curreri is an American musician and songwriter born in Seattle, WA in 1976. He married songwriter/guitarist Devon Sproule in May of 2005 and currently resides with her in Charlottesville, Virginia.

Raised in Richmond, Virginia, Paul now makes his home in Charlottesville with songwriter/guitarist Devon Sproule; the two were married in May of 2005. Though he grew up playing music, he ended up enrolling at Rhode Island School of Design (RISD) to pursue painting and film. While his experiences at art school helped develop his ability to observe and record the visual world, his true passion again rose to the surface. By the time Paul graduated from RISD, he'd composed over 200 songs on guitar and piano. Turning down a job at MTV, he set to work carving out a life as a musician.

Following a spot at New York's Knitting Factory in 2001, Curreri received several tour invites from Kelly Joe Phelps. Over the next four years, the two would play over 100 concerts together.

In April of 2002, independent Brooklyn-based label City Salvage Records released Curreri's first album, From Long Gones to Hawkmoth. Deemed a fantastic debut record by many, others of the folk-stool school pined for the barer, stripped down sound of two semi-legendary demos, referred to simply as "the red one" and "the blue one," which contain early versions of well-known songs like "Bees" and "Senseless As A Cuckoo," as well as unreleased ballads.

In June 2003, City Salvage Records released Curreri's second album, Songs for Devon Sproule. Recorded by Kelly Joe Phelps, in the same studio he had recorded his own Roll Away The Stone and Shine Eyed Mister Zen albums, over the space of just two evenings. Songs for Devon Sproule captured Curreri at his simplest.

The album found Curreri accompanying himself on acoustic guitar, and the resulting sound is similar to his inspired and inspiring concert performances. However, Phelps did play guitar on "Beneath A Crozet Trestle Bridge."

Commenting on "Fishbowl," Curreri recounts how he'd written it in Kelly Joe's attic the night before.

"I was having a bit of trouble come recording, with this and that . . . doohickies, details and tempo. Well, Kelly Joe disappears in the back of the studio, and then comes skipping on back with a big wooden plank slung over his shoulder. He leans it against the wall, all grunting, and says to me, 'Play like that. Play like a post, Paul.' It only took one more take."

The resulting effort was an album of primarily original material nourished by, but not slavish to, the country-blues and folk traditions which lie at the heart of Curreri's musical influence.

The Spirit Of The Staircase, Curreri's 2004 release saw the return of Jeff Romano, who produced and performed on 2002's From Long Gones To Hawkmoth. The album presents the music of Paul Curreri via a new variety of musical accompaniment.

The title of the record comes from a French expression l'esprit d'escalier, which means: Things you think to say after it's too late and you're on your way out the door.

2006 saw the release of his first live album, Are You Going To Paul Curreri. Recorded in two evenings at Charlottesville's Gravity Lounge in in late January, the recording finds Curreri in fantastic form, and backed by two of Charlottesville, Virginia’s most versatile musicians – Randall Pharr (bass), and Spencer Lathrop (drums).

Curreri's fifth album, The Velvet Rut, was released in the UK on Tin Angel Records in June 2007. It was released in the States in October of 2007, again on Brooklyn's City Salvage Records. It is a decidedly darker record than many of Paul's others (though some call it his funniest). Uncut Magazine gave it four stars, and called it a "riveting trip." Mojo gave it an almost unheard of 5 stars. "The Velvet Rut" features a mass of sound surrounding eloquent guitarwork. Curreri played all the accompanying instruments himself.

 Source @ Wikipedia@org

 



 

Paul Curreri Discography


Songs for Devon Sproule: May 6, 2008

     1. Greenville     3:49
      2. Letting Us Be    3:34
      3. Night Jet Trails    3:14
      4. If Your Work Is Shouting    2:17
      5. Tomorrow We'll Wake Again    2:21
      6. Come Near To Me    3:57
      7. The Last Year of the Red Breast    3:17
      8. Louise    4:14
      9. Fishbowl    3:07
    10. It's A Little Room (And I Need A Little Room)    2:51
    11. Beneath A Crozet Trestle Bridge    3:35
    12. Long Gone Again    3:47
    13. Tomorrow Night    2:29

 

Velvet Rut: July 9, 2007

1. Mantra     4:04   
      2. The Velvet Rut    2:36
              3. A Song On Robbing    3:53
      4. The Wasp    2:12
      5. The Ugly Angel    3:48
      6. Keep Your Master's Voice in Your Mouth    4:24
      7. Fat Killer At Dawn    2:13
      8. Intermission for Beer    1:22
      9. Loretta    5:34
    10. Don't Drink    2:03
    11. Where You Got Ain't What You're From    3:04
    12. Why I Turned My Light Off    3:03
    13. Freestlyin' Crost the Pond    8:45

   The Big S****y - Paul Curreri 2011

 



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To Behold - MonkeyJunk Canadian three piece, excellent 2nd album

 

GIBSON GUITARS TOP 10 LIVE BLUES ALBUMS

GIBSON PICKS TOP TEN "LIVE " BLUES ALBUMS
 Muddy Waters - Live At Newport, 1960
Gibson.com - It’s not surprising that many of the greatest-ever blues albums were recorded in front of a live audience. As is the case with folk music, the blues springs from communal traditions, with the artist often feeding off vibes given off by those gathered around him. Many great blues-rock albums – most notably the Allman Brothers Band’s At Fillmore East – were likewise recorded in concert settings. For the purposes of the following list, however, we’ve stuck mostly to the electric blues in its purest form. 

Muddy Waters: At Newport (1960)For many music fans, this album served as a wondrous initiation to blues music recorded in a live setting. Backed by a sensational band that included Otis Spann, James Cotton, and Pat Hare, Waters imbues classics like “Hoochie Coochie Man” and “Tiger in Your Tank” with an energy that outstripped, by far, their studio counterparts. 

B.B. King: Live at the Regal (1965)It’s no wonder this album is widely regarded as one of the best blues albums ever made. Recorded at the height of King’s career, the performance finds the legendary guitarist offering up stinging vibratos, incredible sustain, and pitch-perfect bends on his beloved Lucille in ways that tear at the soul. 

John Lee Hooker: Live at the Café Au Go-Go (1966)John Lee Hooker borrowed Otis Spann and other members of Muddy Waters’ band for this riveting, spooky performance. Hooker’s hypnotic one-chord guitar grooves dominate throughout, giving the set a primitive aura that exudes palpable mystery. A reissue version of the disc adds four tracks from a performance staged by Hooker at Soledad Prison in 1972. 

Albert Collins: Frozen Alive! (1981)Over the course of a decade – from 1977 to 1986 – Albert Collins recorded six sensational albums for Alligator Records. This 1981 live disc is the best of the bunch. Renowned for his “icy” guitar style – which was centered on cool, dark tones and unusual phrasing – Collins delivers some of the most inspired solos of his career. 

Johnny Winter: Live - Johnny Winter And (1971)This staggering disc – culled from live performances at Fillmore East and at Pirate’s World in Florida – captures Johnny Winter in his early prime. Highlights include a searing interpretation of the Rolling Stones’ “Jumpin’ Jack Flash” and a rip-it-up rendition of Chuck Berry’s “Johnny B. Goode.” Winter’s trusty Firebird was never put to better use. 

Buddy Guy: Live – The Real Deal (1996)This disc illustrates beautifully why Eric Clapton cites Buddy Guy as his favorite blues guitarist. Reinvigorating the vintage Chess Records sound, Guy spurns rock-based solos in favor of blues guitar reminiscent of that featured on albums by his mentor, Muddy Waters. As a bonus, legendary Chuck Berry piano man Johnnie Johnson provides fine keyboard support. 

Son Seals: Spontaneous Combustion (1996)Son Seals may have started out as a drummer, but this disc shows he was paying close attention during his touring stints with Albert King and other great six-stringers. Sporting a hard, nasty guitar tone, Seals delivers explosive solos framed by a revved-up rhythm section. Blues rarely gets more incendiary than this. 

Howlin’ Wolf: Live and Cookin’ at Alice’s Revisited (1972)Despite the fact that he was in failing health, the Wolf sound invigorated and inspired on this 1972 disc. Guitarist Hubert Sumlin is also in superb form, his gritty solos and snappy grooves dovetailing perfectly with Sunnyland Slim’s dazzling keyboard work. 

Freddie King: Live at the Electric Ballroom (1974)Amazingly, this incendiary performance sat in the vaults for two decades before seeing the light of day. Tackling such classics as “Dust My Broom” “Key to the Highway,” and “Sweet Home Chicago,” King shows why such gifted peers as Mick Taylor and Eric Clapton have cited his influence. Reissued in 2006, the updated version includes King’s only known acoustic recordings as a bonus. 

Lonnie Mack: Attack of the Killer V (1990)Lonnie Mack’s roadhouse blues style has had a deep impact on a wide range of contemporary players. Recorded at a small club in Chicago, this disc finds Mack unleashing spectacular sounds from his signature Flying V. Even his most intricate and dazzling solos sound effortless.

 

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